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Digital Camera World
Digital Camera World
Hillary K. Grigonis

PolarPro LightLeak 16mm review: This lens is so bad that it’s actually good

The PolarPro LightLeak 16mm on a Fujifilm X-T4 camera.

Modern lenses are becoming increasingly exceptional, delivering pore-level sharpness and perfectly saturated colors. Yet, this technological feat lands at a time when retro cameras are trendy and many digital photographers are editing their work to look like film. But for photographers like myself who often find themselves thinking that modern lenses have no soul, there’s another option outside of adapting a vintage lens to fit on a modern camera: The PolarPro LightLeak 16mm.

The PolarPro LightLeak 16mm is available in modern mirrorless mounts, including Sony E, Canon RF, Nikon Z, Fujifilm X, and L Mounts. But, in many ways, the LightLeak 16mm is the antithesis of a modern lens. Intentionally not sharp, the company advertises the lens with phrases like “iconic disposable camera vibe” and “filmic-style images.” The lens uses an adjustable opening to intentionally “ruin” images with a light leak and plastic optics designed for that soft filter look.

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