As a teenager in the 1980s, I was shown a BBC drama in school called Threads that depicted the impact of a nuclear strike on a city in northern England. Threads is a brutal vision of a terrifying reality that I imagine haunted many people in the years before the end of the cold war.
For younger generations who have so far experienced a world with pandemic lockdowns, wars in Ukraine and Gaza, and international tensions that make a third world war no longer feel like a fictional scenario, geopolitical fear and anxiety is again hard to escape. And now we have a film showing us how a nuclear war could begin.
From three different perspectives, Kathryn Bigelow’s new Netflix thriller, A House of Dynamite, shows us how officials in the US might respond if it looked like a nuclear strike was imminent. Each perspective reveals a different element in the horror and complexity of the situation, as officials work to determine who is responsible and how to manage the attack.
