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The Guardian - UK
The Guardian - UK
Entertainment
Rachel Aroesti

Nadia Reid: Enter Now Brightness review – a restorative balm of folk-tinged songwriting

Nadia Reid.
Deeply personal … Nadia Reid. Photograph: Marieke Macklon

There is something remarkably peaceful and restorative about Nadia Reid’s fourth album; a feat that seems doubly impressive once you learn the singer-songwriter recorded it in the throes of morning sickness, her studio time punctuated by sofa naps and vomiting breaks. The end product shows absolutely no signs of struggle: in fact, this is the kind of unchallenging, beautiful music that seems capable of soothing many a malady.

Admittedly, the comforting nature of Enter Now Brightness is partly a result of its familiarity. There are a couple of forays into period-specific nostalgia: a soft wash of trip-hop on Hold It Up; gated drums and gentle electric guitar on Changed Unchained. But the bedrock is gently melismatic vocals and acoustic guitar in the folk-tinged singer-songwriter tradition (think of Reid as a more genteel and jaunty Laura Marling) and the simplicity of the sound gives Reid’s work a timeless quality.

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