Unlike the aforementioned Frankenstein this particular portrait project doesn’t require you to scour mortuaries or dig up body parts from the local cemetery. All the facial elements are coming from the same person, but once assembled will produce something as weird or wonderful (but mainly weird) as you like. There are different ways of capturing each feature, as well, but the basic plan is to take a head and shoulders shot with a portrait lens, or 50-100mm focal length lens. You can go with a wide aperture and completely throw the background out of focus, but also soften features in front of or further back from the focal point. Or, you can use an f/8 aperture and try to get the base image all in focus.
You then need to switch to a macro lens and shoot close up images of each facial element – eyes, nose, mouth, ears are the basics – but it’s worth including other parts like the forehead or chunks of neck. Don’t be afraid to get pretty close to fill the frame, because otherwise you’ll need to select and mask off parts of these close up images. You can go for detail, with a narrow aperture, or throw it wide open and just add the shallow depth of field to the sense of unreality. The trick is to shoot the close ups from different angles or with different expressions than the main image. Then it’s time to compose your creation.
