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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Medusa review – fable of freaky delirium that accompanies life in Brazil’s police state

Group of women in masks in Medusa
On the prowl … Medusa Photograph: Publicity image

It’s flawed and all over the place in conventional script terms, but there’s real interest in this freaky, peculiar, interestingly directed psychodrama satire from Rio-born artist and film-maker Anita Rocha da Silveira; it takes aim at the conformist-authoritarian patriarchy of Jair Bolsonaro’s Brazil, and premiered at Cannes in 2021, while Bolsonaro was still in power.

Mari (Mari Oliveira) is a member of an evangelical Christian young women’s singing group called Michele and the Treasures of the World, who (like the Barden Bellas in Pitch Perfect) sometimes squabble when one of their number does some unrehearsed freestyling in performance; their leader Michele (Lara Tremouroux) is impossibly glamorous and blond with a YouTube channel, discussing topics such as “How to take the perfect Christian selfie”.

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