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The Guardian - UK
The Guardian - UK
Lifestyle
Jess Cartner-Morley in Paris

McQueen meets difficult moment with fatalistic glamour at Paris show

Composite of models in herringbone jacket, crop jacket and slit trousers, and white flower-covered dress
The show opened with a herringbone jacket long enough – if barely – to pass as a dress. Composite: Indigital TV

Beneath the Paris fashion week hoopla – Chappell Roan resplendent in the front row, champagne flowing backstage – there were dark undercurrents at Alexander McQueen’s Paris fashion week show. The brand has seen a 60% decline in turnover over the past three years. Workforce cuts were made in the London headquarters last year, and a third of the brand’s 180 employees in Italy are thought to be at risk of losing their jobs. Fifteen years after the death of Lee McQueen, the brand is struggling to maintain momentum.

The founder is a hallowed name in the fashion industry, and one of the few modern designers to whose character and story the wider public feel a connection. But the generation who wore McQueen’s original bumsters have aged out of shock-value fashion, and the name has less power over younger consumers.

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