A standup’s debut show usually tells us who they are, then with their follow-up, they branch out. Kemah Bob has done things the other way around. After 2024’s Miss Fortunate, a wild shaggy dog story about a disastrous trip to Thailand, she now delivers that delayed “this is me” set, an open-hearted inquiry into how she got here and her origins as the child of a poor black family, the descendants of slavery, in the southern US.
That inquiry is prompted by misgivings on Bob’s part, coolly laid out here, about her career in comedy – which she loves, but worries is infantilising, and (see the receipts from that successful last fringe run) financially precarious. Is she leading a grownup life – or should she start doing so? There’s a thinking-aloud authenticity to that exploration that is very endearing in Love Child. Her audience cheerfully used as a sounding board, she casts her gaze back across generations of Bobs, and her own journey to the UK, to work out what life she ought now to lead.
