Get all your news in one place.
100's of premium titles.
One app.
Start reading
The Guardian - AU
The Guardian - AU
Entertainment
Giselle Au-Nhien Nguyen

K-BOX review – K-pop and loneliness in surreal family drama

Jeffrey Liu performing on stage as a K-pop star in K-BOX. He is singing into a microphone under purple light and surrounded by dry ice
Jeffrey Liu plays a potentially fictitious K-pop boyfriend in K-BOX. Photograph: Phoebe Powell/Malthouse

Lucy Kowalski (Susanna Qian) is in the thick of a mid-30s crisis – she’s depressed, having just broken up with her boyfriend and quit her job. Arriving unannounced at her rural family home at midnight, her adoptive parents George (Syd Brisbane) and Shirley (Maude Davey) quickly realise their daughter is not OK. It becomes bizarre when she forms a fierce attachment to a cardboard box with nothing but a scribble on the inside that she swears used to be full of her favourite things, but her parents insist they’ve never seen before. This homecoming is the catalyst for an unraveling, as Lucy questions all she’s ever known, or thought she knew.

Directed by Bridget Balodis, K-BOX is the mainstage debut by Melbourne playwright Ra Chapman who, like her protagonist, was adopted from Korea as a toddler by white Australians. The play explores the fraught politics of transracial adoption and the crisis of identity experienced by those who feel “not quite”: not quite Australian, not quite Asian, floating in that nebulous space between.

Sign up to read this article
Read news from 100's of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
One subscription that gives you access to news from hundreds of sites
Already a member? Sign in here
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.