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The Guardian - UK
The Guardian - UK
Entertainment
John Fordham

Joshua Redman: Words Fall Short review – improviser’s playful delight in music-making never ceases

Unerring flawlessness … Joshua Redman.
Unerring flawlessness … Joshua Redman. Photograph: Jen Rosenstein

Joshua Redman has been such a brilliant saxophone improviser for more than three decades that his unerring flawlessness at a spontaneous art almost becomes a tic. But his playful delight in music-making, a quality that swept from his eponymous debut release in 1993, has never faded. Redman’s 2023 first album for Blue Note was the covers-packed Where Are We, his first predominantly vocal venture, featuring the frail, borderline-tearful voice of young New Orleans-based singer Gabrielle Cavassa, herself a new Blue Note signing.

Perhaps to deflect this from looking like a label-steered career reset, Redman has cannily entitled its successor Words Fall Short, and included only one Cavassa vocal. Even more smartly, he has introduced a terrific new young road band on an all-original repertoire, and added acclaimed Chilean saxophonist Melissa Aldana and 19-year-old west coast trumpet phenomenon Skylar Tang as guests. The result is an album that feels more like an ideal balance of Redman’s own ingenuity and his ensemble rapport.

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