Entering the almost silent rehearsal room, I fear I’ve blundered into a private moment. The Lady from the Sea cast are seated in a tight circle and at least two of them have tears in their eyes. The quiet murmur of conversation suggests something heavy has just gone down. So I’m relieved when I realise they’re reading a scene – and stunned to discover the scene was written only yesterday.
Simon Stone’s modern take on Ibsen’s play is still under construction, and he has had his actors together for less than a fortnight. “Most people really take six weeks to connect to scenes,” the Australian writer-director says during the lunch break. “Often an entire rehearsal process can be the slow marking out of stuff, and it takes until your first run-through to feel anything at all. We are connecting faster, because we’ve been talking about it so much.”
