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The Guardian - UK
The Guardian - UK
Lifestyle
Joanna Moorhead

It was a marriage of equals, but Sheila Girling was left in Anthony Caro’s shadow. Not any longer…

Sheila Girling photographed in 1984 with one of her paintings.
Sheila Girling photographed in 1984 with one of her paintings. Photograph: Colette Morey de Morand © Sheila Girling Studio/ Barford Sculptures 2024

She was a painter, he was a sculptor. They worked side by side, describing their marriage as “a 64-year conversation about art”. They influenced one another’s work and regarded one another as equals – but today, Anthony Caro is a household name while Sheila Girling is all but forgotten.

This weekend, however, the ­couple’s son, Paul Caro, and grandson, Ben Caro, hope that’s about to change. They’ve been ­instrumental in helping to organise a comprehensive exhibition of her work: more than 90 paintings and collages go on display at the Bowhouse community space in St Monans, near St Andrews, Scotland (to 1 September, with a break in August – see spacetobreatheexpo.com for details).

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