Photograph: Landmark Media/Alamy
Like many US hospitals, Pittsburgh Trauma Medical Center (PTMC) is a place where time melts away. Rain or shine, 1am or 1pm, everything is bathed in the same retina-frying fluorescent light. Wait times often exceed several hours; in the lobby is a barrage of all-caps warnings (“aggressive behavior will NOT be tolerated”), while several TVs play clips of a Deadliest Catch-style show in two-minute loops. Purgatory, it seems, looks a lot like an American hospital … as recreated on a soundstage in Burbank, California.
On the day I visit PTMC, the 52-bed ER on the Warner Bros lot, the hold-up is some babies. The infant actors are here to film a second season scene for The Pitt, the HBO Max medical drama that singlehandedly resuscitated the genre back from its Grey’s Anatomy flatline, swept almost every television award in the US and is now, finally, heading for the UK. (No bad blood, though: on set, I glimpse a flyer for a Pitt softball game against the crew of Seattle Grace.) Developed by the team behind 90s hospital hit ER, The Pitt follows a melange of hospital workers – the doctors, nurses, social workers, security and administrative staff of a cash-strapped emergency room in Pittsburgh – as they deal with everything from gunshot wounds to burnout, fentanyl overdoses to dreaded note-taking, with all the emotional trauma in between.
