Despite trying on more than 20 wedding dresses, I was ready to head back to the bridal inspiration drawing board. I even told my fiancé we might have to delay our nuptials a year. But on March 31, I became a 2027 bride once again: Sadie Sink celebrated opening night of the West End's Romeo & Juliet in the first wedding-adjacent gown I've genuinely adored.
Minutes after Sink took her bow inside the Harold Pinter Theatre, she quick-changed out of Juliet's final costume and into custom Prada. Stylist Molly Dickson likely waited in the wings, with the cap-sleeve column dress pressed and steamed for the play's after-party. Sink was a vision in the ivory satin dress, featuring a rounded neckline, an empire waistline, and an extra horizontal band beneath it. Rhinestones and sequins decorated each itty-bitty sleeve, but that's all. Sink's almost-yellow satin reached the visual interest quota with intricately-placed, vertical pleats, which loosened toward the stage-grazing skirt's hem. All in all, it was the wedding dress of my dreams.
