After writing an article last week on Peter Lindbergh's use of his Nikon DSLR, I couldn't help but feel guilty looking at my Nikon D750 sitting on the shelf, covered in a thick layer of dust.
Once a staple in my everyday workflow and a vital tool for capturing some of my most important commercial work, this camera had been set aside after I upgraded to the Fujifilm GFX format. Racked with the shame of leaving my old partner in camera oblivion, I decided to dust it off for what perhaps might be one last shoot.
