
At the turn of the millennium – and not for the first time in rock history – there was nowhere cooler than New York City.
For the hipsters rifling vinyl crates in the East Village thrift stores, the essential soundtrack was Is This It by The Strokes, all trash-can guitars and curled-lip anthems howled through a glitchy microphone. But in the wee small hours, when the city fell to ink and neon, Interpol came out to play.