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Guitar World
Guitar World
Entertainment
Henry Yates

“I don’t have my original Epiphone Casino anymore. It was stolen out of a dressing room. I was really heartbroken”: Daniel Kessler on making Interpol classics, the lessons he took from Fugazi and the art of six-string minimalism

A portrait of Interpol guitarist Daniel Kessler pictured with his rig. He plays an Epiphone Casino and there is a Fender Princeton Reverb in a background lit with orange, red and white stagelights.

At the turn of the millennium – and not for the first time in rock history – there was nowhere cooler than New York City.

For the hipsters rifling vinyl crates in the East Village thrift stores, the essential soundtrack was Is This It by The Strokes, all trash-can guitars and curled-lip anthems howled through a glitchy microphone. But in the wee small hours, when the city fell to ink and neon, Interpol came out to play.

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