
I met Brent Hinds a few years ago at a Mastodon gig. For some reason, he was standing next to me at the public bar, waiting in line to buy a drink, rather than staying out of sight backstage, so I introduced myself as a writer for Guitar World’s sister magazine, Total Guitar, and bought him a beer and a shot.
We talked briefly before he headed backstage, but I couldn’t quite figure him out. My impression was that he was a bit of an introvert, perhaps not that good with new people – someone who saved his flamboyance for the stage.