When I meet him, artist Oleksiy Sai, along with his wife and son, have slept the night in their studio, a warren of rooms tucked behind an unassuming courtyard in central Kyiv. It’s on the ground floor, and with good walls, so they reckon it’s reasonably safe from Russian rockets. Safer, that is, than their apartment: the previous day they were woken by the juddering scream-boom of cruise missile strikes, one cratering a children’s playground a block from their flat. Somehow, their windows survived, though the glass was blown out of most of the nearby buildings. Now, the whole family is busy making work: his son Vasyl is at a screen editing videos; his wife, Svitlana Ratoshnyuk, is making folksy textiles embroidered with “Fuck Putin” in Ukrainian.
Before the war, Sai – slim, intense, wearing a black hoodie – used to make colourful works, based on Excel software, that wryly commented on “office life and global culture”. But when the Russians invaded on 24 February, he says, “I forgot about art completely, I forgot all my plans and started working for the war.” First, he began rolling out designs for protest posters. “I know how to do it fast,” Sai says; he honed the skill nearly a decade ago, during the 2013 Maidan Square protests against the pro-Russian then president, Viktor Yanukovych. Sai’s banner designs have been seen on the streets of London, New York and Berlin. They are not subtle. “Unilever! Quit Russia!” reads one, the familiar corporate logo rendered as a U-shaped spatter of blood. Another depicts a line of Russian medals “For torture”, “For looting” and “For the genocide of the Ukrainian people”.
