In retirement, Suzanne Tarlin heard herself saying: “I need to move.” The former solicitor, then 71, learned from a friend about senior ballet and contemporary dance classes at a community centre and decided to give it a try. “Terrifying,” the Londoner remembers, 10 years on. “But the teachers who do this stuff are incredibly patient and good-humoured. People come with all sorts of backgrounds and levels of expertise. The classes are clearly important because some people go week after week, sometimes twice a week.”
Tarlin went on to do senior contemporary classes at Rambert, then added over-60s classes at the Place, home to London Contemporary Dance School, and sessions in German tanztheater at Morley College for adult education. She also signed up for creative workshops and performance groups, especially enjoying the intergenerational projects – even performing in a large-scale public event with dancers from Rambert and the Ballet National de Marseille at the Southbank Centre (she commandeered an industrial road cleaner in one scene and slid off the roof of a beat-up limousine at the finale). At the Place, she crawled around the stage in a costume made of cables. Growing old gracefully has clearly not been a dance goal. “I suppose the dreaded word is ‘wafting’,” she says. “You know, being a bit pretty, drifting around waving a scarf or something.”
