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The Guardian - UK
The Guardian - UK
World
Eromo Egbejule in Lagos

Hilarious quips and ‘100,000-volt’ energy: the hypemen (and women) redefining Afrobeats music

Toby Shang stood next to a broken down old school bus
Toby Shang, one of the leading lights of the growing Afrohype genre. Photograph: Sogo Oladele/The Guardian

For the 2015 freshmen cohort of the history degree programme at the University of Lagos, their classmate’s first-semester presentation was so captivating that they began calling him Toby Shang, after the 16th-century Chinese dynasty he had focused on.

His crowd engagement that day had been harnessed from his high school days as a ginger-man (energiser) in a three-man band and as a private tutor. By his final year at university, his viral catchphrases and infectious energy had resulted in a hit song, Shedibalabala. Today, he is one of the self-acclaimed “evangelists and pioneers” in the Afrobeats sub-genre some are now calling Afrohype or lamba.

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