Part of the thrill of Baby Reindeer was the feeling of watching the birth of a monster. Comedians starring in their first scripted drama tend to base their characters gently on themselves, prodding at their own foibles without doing proper damage – but Richard Gadd set fire to that safety net by dramatising his own experience of being stalked, along with other, even darker moments of victimhood, with an honesty that was transgressive.
On screen and in his old real life, the helpless Gadd’s unhinged admirer Martha (Jessica Gunning) pursued him unstoppably, like the fiend in a horror movie; once Baby Reindeer’s word-of-mouth popularity exploded and Gadd won major awards for playing himself at his most vulnerable, though, his success made him one of the most powerful creators in television. That queasy disconnect was fascinating. The prospect of watching a new Richard Gadd show is exciting, of course. It’s also a bit frightening.
