We have known for some time, I think, that men are not OK. Richard Gadd’s new drama, conceived before his astounding, semi-autobiographical creation Baby Reindeer sent his reputation stratospheric, and now broadcast in the slipstream of that success, is a fiercely intelligent, unforgiving, harrowing attempt to show us how and why.
Half Man begins in the present, with two men circling each other in a dark barn. One, Niall (Jamie Bell), is in full Scottish wedding fig. The other, Ruben (Gadd), is stripped to the waist and has his hands wrapped like a sparring boxer. The fight that is surely about to come does not seem a fair one.
