Gorillaz are 25. In 2000, this cartoon-fronted project seemed like something fun for Damon Albarn to do between Blur albums, hiding behind Jamie Hewlett’s comic-book animations, but they’ve overtaken Blur almost everywhere but Britain. The number of children in the audience testifies to Gorillaz’s powers of self-rejuvenation – an ever-changing vehicle for Albarn’s ceaseless curiosity.
Gorillaz are marking the occasion with an immersive exhibition, House of Kong, and four era-specific shows. This second night revives 2005’s Demon Days. Co-produced by Danger Mouse, it remains the most satisfying expression of the Gorillaz concept: focused in both its themes (innocence and violence) and personnel (rappers and the rap-adjacent). Dressed like a hip vicar, Albarn serves double duty as a frontman and a conscientious host, although the original cast of vocalists is inevitably depleted. The late MF DOOM and awol Shaun Ryder appear only on screen, while Skye Edwards replaces Martina Topley-Bird on All Alone. Thank goodness for the old-school stalwarts. Bootie Brown enters Dirty Harry like a red-and-white firework before De La Soul boom and cackle through Feel Good Inc.
