The 1953 Alfred Hitchcock film “I Confess,” based on an earlier play, features a priest suspected of murder. He’s innocent, and has even heard the murderer’s confession – but cannot clear his own name.
The Catholic sacrament of reconciliation, also known as penance or confession, has been a compelling set piece for fiction writers over the ages, from medieval novels to contemporary films. One reason the practice has intrigued both authors and audiences is the dramatic potential of the “seal of the confessional” – that is, the requirement that priests not disclose any identifying information about what they have heard during confession.
