I first encountered Susie Figgis over 40 years ago when I interviewed her for The Company of Wolves, my debut movie production with Neil Jordan. We met at my then-cinema the Scala – it was a busy, noisy office but a sunny day, so we went up to the roof. Susie, who was already something of a legend having cast Stephen Frears’ Bloody Kids, Laura Mulvey’s avant garde films and Ben Kingsley in Gandhi, unleashed a volcanic eruption of unbridled enthusiasm for Angela Carter and Neil’s script. The collection of explosive expletives and voluble “darlings” almost blasted me to the King’s Cross streets below.
So began a professional relationship that spanned more than 23 movies. The task we set her for The Company of Wolves was tricky: to find an actor to play the adolescent Rosaleen. She achieved it through painstaking and meticulous methods (her trademark) over the next few months, exceeding our expectations when she discovered the excellent Sarah Patterson. She then topped that with the suggestion of Angela Lansbury for “Grannie” (who flew from Hollywood to shoot with us and had her character’s head decapitated for her troubles) and a superlative supporting cast of dancers, performance artists and veteran actors for our strange, violent woodland fairytale. Her passion for cinema was infectious: not only for the film-makers, but also the agents and actors who read our scripts. Susie demanded an intelligent and thoughtful response to the screenplays so no simple yes or no would suffice.
