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The Conversation
The Conversation
Meg Brayshaw, John Rowe Lecturer in Australian Literature, University of Sydney

Friday essay: Australia’s ‘quarry noir’ mines our anxiety about our biggest industry

A geologist is bludgeoned to death with his own hammer. An opal prospector is murdered, his body found crucified down a mine shaft. An entire family disappears, apparently dragged down into the mined-out spaces below an abandoned gold rush town. These are just some of the crimes in a growing body of contemporary Australian crime fiction that combines the nation’s most profitable industry, mining, and its most profitable literary genre, crime.

2025 was a boom year, with eight Australian novels in the genre – including Last One Out, by Jane Harper, whose first novel, The Dry (2016), kickstarted a global craze for so-called rural crime, or “outback noir”.

I found almost 40 mining crime novels published in a roughly 25-year period (1999–2025), set in every state except Lutruwita (Tasmania). They cover all of Australia’s major modes of mineral extraction, from alluvial gold mining to open-cut iron ore and coal. In these novels, the spaces, economics and politics of mining in Australia provide the crime plot’s requisite victims, red herrings, suspects, perpetrators and twists.

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