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The Guardian - UK
The Guardian - UK
Entertainment
Christopher Lord

Evanescence review – devastating power and range from one of rock’s great vocal talents

Evanescence singer sings passionately into a microphone under red stage lights
Moving through the registers … Amy Lee of Evanescence on stage at the First Direct Arena. Photograph: Seanen Middleton

To watch Evanescence in concert is to be spellbound by founder Amy Lee’s astonishing voice. The Arkansas band’s gifted mezzo-soprano lends their music vocals that range from skyscraping and spectacular to haunting and devastating. She soon moves through the registers on the opener Sanctuary, setting the stage for a show during which her vocals seem to scale ever greater peaks, even when you are convinced that there are no octaves left to conquer. And she makes it look effortless, striding around the stage, headbanging and fist-pumping the air.

It’s standard promotional protocol for a band to lean on their new album on tour, but it still shows impressive faith in their audience that tonight Evanescence perform all but one song from Sanctuary, which is also the title of their sixth LP. Jordan Fish, formerly of Bring Me the Horizon, produced most of it and his metallic influence is clear: pummelling drums, titanic choruses and walls of stormy riffs make the band’s new material noticeably heavier than the gothic hard rock of their earlier years.

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