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The Guardian - UK
The Guardian - UK
Entertainment
Daniel Dylan Wray

End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party

CMAT crouches low on stage holding a microphone, surrounded by red stage lighting and bandmates
Cathartic farewell … CMAT performs at the End of the Road festival. Photograph: Burak Çıngı

There is a celebratory feeling in the air at End of the Road festival this year as it turns 20. The piano stage has been turned into a giant birthday cake with candles on top, one man is dressed as a toilet to commemorate the porcelain anniversary, and Jarvis Cocker leads a spirited singalong of Happy Birthday while wishing for 20 more years.

Retaining a core identity while also expanding and evolving has been key to that longevity. While early days were centred more on alt-folk and Americana, EOTR is now a genre-hopping powerhouse, blending everything from pop fun to noisy experimentation via global grooves, and with an equal focus on the familiar and the unknown.

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