Countless English protagonists have for decades been making their way to grand country estates where their lives are irrevocably changed. “Brideshead Revisited.” “The Go-Between.” “Remains of the Day.” “Rebecca.”
These are some of the books that Emerald Fennell grew up devouring. And when the dust had settled on “Promising Young Woman,” her incendiary Oscar-winning directorial debut, Fennell, too, wanted to make her way to a fictional stately manor.
