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The Conversation
The Conversation
Georgia Phillips, Lecturer, Creative Writing, Adelaide University

Desperate, intelligent, irreverent: in Big Kiss, Bye-Bye, Claire-Louise Bennett breaks up with illusions

Alexey Demidov/Unsplash

In Burnt Norton, the opening section of T.S. Eliot’s Four Quartets, the poet moves down a passage “we did not take” and passes through a door “never opened” to arrive in a mythic rose garden. Here, in the thorny cradle of mournful innocence, a bird delivers the famous line:

                                     humankind
Cannot bear very much reality.

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