Part of the advisory panel for Collect 2024, writer and curator Melanie Grant shares her highlights from the upcoming fair (at Somerset House and open to the public from 1 to 3 March).
The potter Edmund de Waal once compared being an artist to being a swan, unsteady and anxious on the knife-edge of life before launching into the floods. His porcelain vessels represent a blurring of lines between the notions of art, craft and design, which has gathered pace in the last few decades, spurred on by museum-quality acquisitions, rising auction prices and international fairs dedicated to ceramics, glass and textiles.
Design fair Collect sits at the pinnacle of this movement and is enjoying its 20th anniversary this year, acting as an incubator connecting galleries, dealers and artists with collectors. It was started by the Crafts Council back in 2004 to showcase works that were growing in prominence, but which were sometimes overlooked by the fine art market, with artists like de Waal often attending to discuss their work. It now welcomes 41 galleries representing more than 400 artists from countries as diverse as the US, Japan, Nigeria and Mexico.
Collect 2024 at Somerset House
'I think that so often the artists aren't at gallery art fairs very much partly because some of them are dead,' chuckles the fair’s director Isobel Dennis, also once a ceramist. 'But that's the beauty of Collect, it’s about supporting people who are making now.'
The fair only features work made in the last five years, opening a door to new and emerging talent using materials as diverse as wood, paper, lacquer, resin, mica plastics, metal and even corn-starch. Many of these materials are reused and recycled. The fair resides in Somerset House, a neoclassical landmark perched on the banks of the Thames and previously the official residence of Elizabeth I.
The building's spiral staircases, antique pillars and domed ceilings provide an intriguingly paradoxical backdrop to Talia Ramkilawan’s ‘Love me Harder’ a wool and cloth on hessian work analysing her queerness and South African identity, or Simon Dredge’s porcelain and ceramic plate, referencing the use of Polari in the 1950s, which was a secret language used by gay communities in the UK. Mind-bending ceramics by Oriel Zinaburg, Ikuko Iwamoto, Mattieu Frossard and Sayaku Shingu are also worth investigation as are the gravity-defying metal works of Angela Cork, Yingze Chen and Cathryn Shilling.
The ethereal glass poetry of Sunghoon Park, Toshio Lezumi and Sila Yucel may well compel the sweeping of an arm across any current shelf-space of all previous collectibles. As interior designers, architects, museum curators, patrons and investors gather for the fair, they will no doubt be considering the continuously evolving concept that is craft. Collect will as always make launching into the floods that much easier for all who visit.
Collect is open for private views on 28-29 February 2024, and opens to the public from 1-3 March
Somerset House
Strand
London WC2R 1LA
