What do you pair with Beethoven’s Ninth Symphony? You might do worse than Anna Clyne’s The Years, a subtle meditation on the mystery of time set to words by Stephanie Fleischmann. Composed during the pandemic, its approachable mood of calm isolation survives a series of angsty intrusions to convey a message of quiet hopefulness. Like the Beethoven, it reaches a triumphant conclusion, though in Clyne’s case the victory is an eminently peaceful one.
The Danish National Symphony Orchestra under chief conductor Fabio Luisi gave it a relaxed and sensitive reading, warm string tones cocooning vocal lines that rose and fell, rendered with impressive clarity by the Danish National Concert Choir. The musical language, faintly reminiscent of Tippett or Barber, was built on simple melodies that blossomed into tangy harmonic clusters. Oscillating voices, stalked by harsh orchestral interjections like wailing sirens, gave way to an expansive sunset glimpsed through a haze of strings and a tranquil, timeless conclusion.
