‘I’ve been told,” says Daisy Edgar-Jones, “that the trick for posing at film premieres is to put one foot forward, lift your chin, and basically try to emanate with your face that you’re a top-class lawyer who’s won a big case.”
We’re standing together in a London park, not far from where the 23-year-old actor grew up, on a cold but sunlit morning in February. Soon, Edgar-Jones will fly to Los Angeles for the premiere of a gory and provocative new thriller she has made called Fresh. Although her career exploded in spring 2020, when she starred with Paul Mescal in the TV adaptation of Sally Rooney’s Normal People, the years since then have been Covid-straitened and quite weird (“smudged” is how Edgar-Jones puts it), and she has not yet had any red carpet practice. This will be her first premiere.
