When the album dropped at the stroke of midnight on February 13, I found myself lying in the dark listening to Charli XCX’s Wuthering Heights. As her second soundtrack album (after Bottoms in 2023), this record was made for Emerald Fennell’s 2026 film adaptation of Wuthering Heights. But this collection of songs also stands as a musical adaptation of Emily Brontë’s novel in its own right.
The opening track, House, struck me with its ability to succinctly get to the heart of what Wuthering Heights is. It is not just the title of Brontë’s book and Fennell’s film, but also the name of a house, the story’s main setting.
Rather than offering a typical three-act structure of beginning, middle and end, Brontë’s novel is an experimental, strange form. I conceive the novel as structured largely by the movement of the characters between the titular Wuthering Heights and neighbouring property Thrushcross Grange. There is a constant movement, a haunting, between poles rather than a clear linear progression from point A to point B.
