Anonymous was often a woman: so said Virginia Woolf. And so thought Cynthia Osiecki one day in 2022, when she chanced on an unattributed still life in the storage area of the National Museum of Norway in Oslo.
Osiecki had been studying the work of a renowned 17th-century Flemish artist, Clara Peeters, one of the earliest practitioners of still life painting. Works by Peeters hang in the Prado in Madrid, the Ashmolean Museum in Oxford and the Metropolitan Museum in New York.
