Swan Lake isn’t one of those stories that connects hard with current events or the world around it. You can say much the same for ballet itself. As a form, it usually doesn’t have much to say.
Ballet Preljocaj’s production, which debuted in France in 2020, is something of an exception to the rule. Making its Australian premiere within days of Woodside receiving the federal government’s (election-delayed) green light to extend the life and colossal climate impact of its North West Shelf gas project until 2070, and the Woodside boss Meg O’Neill’s clumsy attempt to shift responsibility to supposedly Temu-addicted gen Z consumers, this staging from has a bit of a kick to it. A Swan Lake for the ecocide era, if you like.
