As a little boy, Kris Lalaj would watch with envy as his big sister ran around Kensal House estate in west London, being trailed by a video camera. From his balcony, he could see her howling with laughter, being chased by other children who were making a film with the well-loved but rundown community theatre that sat at the bottom of the estate.
“I wanted to be like her,” he says. “It’s what got me into acting, really.”
