Lucy Moss, co-writer
In 2017, Cambridge University’s musical theatre society invited applications for an original show that it could take to the Edinburgh fringe. Toby Marlow and I were third years at the university, and had talked about doing a musical together for ages, so he applied, saying he would write a show with pop music and lots of women at its centre. Representation of women on stage was in the cultural conversation – later that year #MeToo happened.
