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The Guardian - UK
The Guardian - UK
Entertainment
Clive Paget

Angel’s Bone review – frenetic and unsettling allegory of human trafficking marks ENO’s Manchester debut

Performers in white costumes with angel wings pose on a white stage beneath a large screen and dramatic lighting.
Unhappy landings … Angel’s Bone by Du Yun at Aviva Studios, Manchester. Photograph: Tristram Kenton/The Guardian

English National Opera takes a bold leap, selecting one of the most uncompromising pieces of 21st-century music theatre for the first new opera staged in its northern base. Du Yun’s Angel’s Bone, which won the Chinese American composer the 2017 Pulitzer prize, tackles human trafficking head on in an allegorical tale of two angels that fall – literally – into the clutches of a dysfunctional couple who hesitate for all of five minutes before deciding to mutilate and exploit them.

For this inaugural production, a collaboration with Factory International and the BBC Philharmonic Orchestra, they have recruited Kip Williams whose The Picture of Dorian Gray dazzled the West End and Broadway. The innovative Australian director employs his breathless technical wizardry to fashion a dizzying in-the-round staging.

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