Exhibition of the week
Philip Guston
Cartoon Klansmen smoke and stare in Guston’s grotesque satires on American madness.
• Tate Modern, London, 5 October-25 February
Also showing
Claudette Johnson
Haunting large-scale drawings by this pioneer of Black British art.
• Courtauld Gallery, London, until 14 January
Georg Baselitz
Rough-hewn wooden sculptures by the German expressionist master.
• Serpentine Gallery, London, 5 October-7 January
Georgian Illuminations
Fireworks and lightboxes, 18th-century style, in one of Britain’s most magical settings.
• Sir John Soane’s Museum, London, 4 October-7 January
RE/SISTERS A Lens on Gender and Ecology
Judy Chicago, Ana Mendieta, Francesca Woodman and many more in a survey of feminist art with a feel for Gaia.
• Barbican Art Gallery, London, 5 October-14 January
Image of the week
An installation by Jesse Darling in the Turner prize 2023 exhibition
The four artists contending for the 2023 Turner prize, whose work is now on show at Towner Eastbourne, are each in their own way addressing our time of global multi-crisis – sometimes with humour, sometimes with direct confrontation. Read our review.
What we learned
Indian photographer Gauri Gill has won the Prix Pictet
Painter Sylvia Snowden had to work ‘twice as hard’ as white artists to be seen
An official ruling in the US said AI-generated art could not be copyrighted
A lost Artemisia Gentileschi painting was found in a palace storeroom in London
The Fitzwilliam Museum in Cambridge put its historical links to slavery on show
Former star YBA Sarah Lucas took stock for a Tate retrospective at 60
Food writer Nigel Slater revealed his favourite ceramics, to eat off and admire
Edinburgh’s new National galleries of Scottish art are ravishing
Julian Schnabel thinks the Guardian didn’t look at his paintings long enough
New show reveals how naked breasts moved Rubens religiously
This year’s Turner prize nominees confront our dystopian condition
Masterpiece of the week
Portrait of an Archer, by Unknown artist (possibly Giorgione?), c.1506-10
He turns to look at you as if you’ve called his name. As his bearded face is caught in a warm soft light, his eyes contain multitudes of thoughts and memories. His hand in an archer’s glove touches his armour breastplate and is mirrored in its polished steel, the kind of opulent reflection that fascinated the short-lived genius Giorgio da Castelfranco, known as Giorgione, who revolutionised painting in Venice at the start of the 16th century. This is definitely in his style. The delicate use of oil paints, mysterious meaning, and haunting sensuality belong to the same Giorgionesque universe as his handful of definite works such as Laura and The Tempest. But like most works once attributed to him, it is now treated with suspicion by art historians. In this case, maybe it’s by a pupil or imitator. Whatever, this painting holds you with poetic hints of some untold story in the shadows.
• Scottish National Gallery, Edinburgh
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