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The Guardian - UK
The Guardian - UK
Entertainment
Phuong Le

All the Mountains Give review – gripping portrait of smugglers on the Iran-Iraq border

All the Mountains Give
Fog of precariousness … All the Mountains Give Photograph: Publicity image

In an immersive and sweeping debut feature, Kurdish film-maker Arash Rakhsha portrays the plight of his people with sheer cinematic poetry. Shot over six years, the film closely follows Hamid and Yasser, two Kurdish friends who work side by side as kolbars, smugglers of untaxed household goods across the Iran-Iraq border. Coloured in icy shades of blue, their lives are filled with terrifying dangers, yet there’s also space for warmth and camaraderie amid the fog of precariousness.

Getting paid per kilogram, the pair haul heavy loads on their backs through treacherous terrain. One moment they are wading upstream, the next they are hiking through the steep, snowbound ranges of the Zagros mountains. The kolbars also rely on mules for transport, though this means they are easier to detect by the border patrols. Landmines – active souvenirs from the Iran-Iraq war – are also hazards on the winding paths; every year, about 200 kolbars die en route.

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