It was a year marked by the sheer diversity of releases, where reformed big names mixed with rising stars and it seemed the left-field became centre-field. In such a diverse scene it is near-impossible to compare artists and make judgements over what is better than what – how can you rate Sabrina Carpenter against Kneecap? – but that never stopped critics in the good old days and won’t stop us now:
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Albums of the Year 2025: who made our top ten?
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