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The Guardian - UK
The Guardian - UK
Entertainment
Ben Beaumont-Thomas and Laura Snapes

Add to playlist: the year’s best electronic debut from Sheffield’s NZO, plus the week’s best tracks

Genuinely new … NZO.
Genuinely new … NZO. Photograph: Publicity image

From Sheffield, via Leeds
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It’s thrilling and satisfying when an artist’s debut album is so fully realised: as if they have their own hyperlocal dialect, and are saying something genuinely new with it. So it is with NZO, a mysterious Sheffield-based electronic artist whose album Come Alive is a defibrillating jolt of vitality. You can find affinities with other artists and styles here, for sure: the bookish but playful minimalism of another Sheffield musician, Mark Fell; Objekt’s trickster vision for bass music and techno; the white-tiled cleanliness of some of Sophie’s work; Jlin’s paradoxically static funk. But the way it’s all pulled together is totally NZO’s, making for music that’s so light on its feet despite its incredible complexity.

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