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Barnabas Ticha Muvhuti, Ph.D. in Art History candidate, Rhodes University

A street art mural in Zimbabwe exposes a divided society

King Lobengula holds Mbuya Nehanda in the mural. Screenshot/Leeroy Spinx Brittain aka Bow

The Shona and the Ndebele are Zimbabwe’s two most dominant ethnic groups. Explaining the ever-present tension between them, historian Sabelo J. Ndlovu-Gatsheni points to the abuse of the post-colonial state by the ruling Shona-dominated government “in its drive to destroy Ndebele particularism”. He explains, “This sets in motion the current Matabeleland politics of alienation, resentment and grievance.”

This continued marginalisation of Matabeleland (a region in southwestern Zimbabwe inhabited mainly by the Ndebele people) by the ZANU-PF-led government has rendered Zimbabwe so fragile a nation that even a street mural can expose its disunity.

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