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The Guardian - UK
The Guardian - UK
Lifestyle
Katy Hessel

‘My gut-felt, heartbreaking decision’ – Tracey Emin on her ‘A-Z of abortion’ blanket

‘I lived it’ … Tracey Emin’s The Last of the Gold, 2002.
‘I lived it’ … Tracey Emin’s The Last of the Gold, 2002. Photograph: Tracey Emin

“I felt pretty vulnerable. I was so broke, homeless, in debt … I had worked so hard at my education and coming from my background … I knew I wanted to be an artist and I knew that if I had a baby on my own, I felt that I had zero chance of that happening. It seemed ironic that now after all my education and fighting … that I was going to end up being a single mother … And I just thought, I can’t bring a baby into the world with all this …”

These are the words of Tracey Emin reflecting on her two abortions from the early 1990s. They highlight the reality endured by so many women around the world. Emin has been making highly political work for decades. Through painting, textiles, films and more, she unveils the rawness and truths of life. Abortion is an issue she has constantly explored, yet its importance in her work has too often been dismissed.

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