Immersive film using virtual reality (VR) or 360-degree video is being used increasingly as a tool for eliciting empathy and emotional identification in fact-based stories. Unlike traditional flat film, immersive films allow viewers to look in any direction while watching the video.
This immersive quality is what makes these films such an intriguing medium. Nearly a decade ago, American filmmaker Chris Milk described VR as the “ultimate empathy machine” because it can fully immerse viewers in another person’s environment and perspective.
This sentiment has been echoed by VR journalism pioneer Nonny de la Peña, whose early work explored the unique storytelling characteristics of the medium. Her first VR film, Hunger in Los Angeles, was the first VR documentary to be showcased at the Sundance Film Festival in 2012.
