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The Latest Breaking News from Vasily Petrenko

Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life

Part of the Southbank’s Multitudes festival, this pairing of silent movie and Messiaen was a feast for the eyes and ears

The Guardian - UK

In Ukraine’s Sloviansk, some are abandoning long-held sympathies for Russia

Locals who sided with pro-Russian separatists become ideologically closer to Ukraine as the war rumbles on.

Al Jazeera

RPO/Petrenko review – a blistering, multi-hued Shostakovich

Conductor Vasily Petrenko didn’t put a foot wrong in this Multitudes festival performance of the Leningrad Symphony, the drama enhanced by evocative video imagery by Kirill Serebrennikov and Ilya Shagalov

The Guardian - UK

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Royal Philharmonic Orchestra to perform an evening of Bond music in London

The Music of Bond is one of 26 concerts to be performed by the RPO in a season prioritising London’s ‘hunger for diversity’.

Evening Standard

RPO/Giltburg/Petrenko review – intimate Beethoven and exhilarating Stravinsky from an orchestra on top form

In the first of the Royal Philharmonic’s Lights in the Dark series, Boris Giltburg’s Emperor Concerto had delicacy and grace, and the Rite of Spring and Berg's Three Pieces for Orchestra were persuasive and lovingly shaped

The Guardian - UK

The week in classical: Marx in London!; The Barber of Seville; LSO/ Stutzmann; RPO/ Petrenko – review

A day in the life of the father of communism is full of laughs in Scottish Opera’s new production of Jonathan Dove’s buoyant farce. Elsewhere, notable house debuts at ENO, a Bruckner double bill and Rachmaninov to remember

The Guardian - UK

RPO/Lugansky/Petrenko review – orchestra claps packed audience as transformation continues

A warhorse work from Rachmaninov and endlessly shifting combinations from Elgar showcased the Royal Philharmonic’s current form

The Guardian - UK

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The week in classical: Symphony of Sorrowful Songs; RPO/Petrenko; LPO/Mäkelä – review

Chart-topping Górecki becomes exquisite spectacle at ENO; Mahler’s Third is worth the wait; plus, the Finnish flourish of Klaus Mäkelä

The Guardian - UK

The week in classical: Benjamin Grosvenor, RLPO/ Wong; Kirill Gerstein, LPO/ Szeps-Znaider; Seong-Jin Cho – review

In a busy week for star pianists, Benjamin Grosvenor takes a late-romantic warhorse and runs with it, while the RLPO try out their latest gleaming acquisition…

The Guardian - UK

RPO/Petrenko review – dazzling Scriabin and spine-tingling Wagner

After a sombre opening, the ecstasies promised in the evening’s theme were reached with Wagner and Scriabin. The Royal Philharmonic and its new conductor are clearly enjoying themselves in this imaginative and accessible season

The Guardian - UK

The week in classical: The Marriage of Figaro; Mahler Symphony No 8 review – phenomenal

Mozart’s divine comedy is a shimmering feast for Glyndebourne, while Mahler’s epic symphony brings joy and redemption to a packed Royal Albert Hall

The Guardian - UK

RPO/Petrenko review – Mahler’s grand and imposing 8th sounds as if it belongs here

Vasily Petrenko and the huge forces required for this choral symphony navigated the score with agility and conviction, but the dramatic connection remained elusive

The Guardian - UK

The week in classical: Peter Grimes; Emerson Quartet; RPO/Petrenko

An all-star production of Britten’s opera thrilled; Soviet-era melancholy flowed through Shostakovich’s quartets; and the RPO rose to their game-changing new conductor

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