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The Latest Breaking News from Tony Visconti

‘He seemed creatively unstoppable’: A new Bowie documentary reassesses one of his most maligned periods

IN FOCUS: A new Channel 4 documentary aims to provide a fresh perspective on the most critically and commercially tumultuous period of Bowie’s career, and reflect on how this led to his swansong, ‘Blackstar’. Roisin O’Connor speaks with director Jonathan Stiasny

The Independent UK

Bowie: The Final Act review – moving and enjoyable tribute to music legend’s last stand

Singer’s final decades can’t really be called his creative golden years but there are touching contributions from his collaborators

The Guardian - UK

“He was told it was over”: 10 years ago, David Bowie’s final and most poignant single saw him turn his own death into art

Bowie’s heartbreaking Lazarus was a rumination on the imminent end of a life lived to the full - and a lesson in how to channel the bleakest situation into enduring music

MusicRadar

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“David was a nice guy, obviously with a certain amount of talent, but never a superstar”: 54 years on, how Hunky Dory rebooted Bowie’s career

The album’s creation and release marked a turning point in Bowie’s talent and trajectory

MusicRadar

“Marc is criminally underrated as a guitarist. All rock ’n’ rollers love T. Rex, and there’s a little bit of T. Rex in every rock ’n’ roll band”: When T. Rex opened the floodgates of glam rock with the riff-driven groove of Get It On

T. Rex's signature song was written and recorded while on a hectic US tour, and would be their only stateside hit

MusicRadar

“I was just getting my sound when David shouted: ‘OK, done!’ I was like: ‘But I haven’t actually started yet!’”: The future Motörhead guitarist who recorded a last-minute guitar solo for David Bowie

Two worlds collided for a British TV show

Louder

“Before we knew it we had a sound no one had ever heard before”: How David Bowie created one of the greatest songs of all time via a range of innovative recording techniques

One of Bowie’s highest watermarks, Heroes continues to sound utterly timeless due to its layered production and passionate vocal performance

MusicRadar

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“Even if you learn to play bass from YouTube videos, you’re still not self-taught. Autodidactic learning is awesome, but everyone needs a teacher”: How Esperanza Spalding created the most complex music of her career under the guidance of an alter ego

With help from producer Tony Visconti, one of the brightest stars of 21st century bass found a brand-new source of inspiration

Guitar World

“I was attracted to melodic bass players like Carol Kaye. Why should a rock bassist play dumb notes all the time?” How Tony Visconti rethought rock bass for David Bowie’s The Man Who Sold the World

The legendary producer revisits his ground-shaking bass work on Bowie’s 1970 breakthrough album

Guitar World

“His body of work is unparalleled in its quality and also in the incredibly varied number of musicians he worked with”: Danny Thompson, Pentangle bassist supreme, who played for Kate Bush, Roy Orbison, Nick Drake, and more has died

Tributes have come in from Tony Visconti, Graham Coxon and others

MusicRadar

Woody Woodmansey didn't realise how ill David Bowie was

Woody Woodmansey didn’t know his late friend and collaborator David Bowie was “seriously” ill until he died.

BANG Premier

“When I asked him what he thought of what I was doing, glam rock, he said, ‘Yeah, it’s great, but it’s just rock ’n’ roll with lipstick on!’”: How David Bowie and John Lennon bonded to create a funky No.1 hit that slammed celebrity culture

“We spent hours and hours discussing fame," Bowie said

MusicRadar

“I used a Gibson EB-3 through my time with David, trying to get the same bass sound Andy Fraser got with Free”: How the late, great Trevor Bolder applied melodic flair to anchor this irresistible 12/8 rocker from David Bowie’s Aladdin Sane

Replacing longtime Bowie collaborator Tony Visconti in the Spiders From Mars, Bolder found himself writing basslines on the spot, a challenge he relished. On Drive-In Saturday, he hit the jackpot

Guitar World

"I went upstairs to show the person how to play the riff... and it was John McEnroe!" David Bowie on the art and process of songwriting

David Bowie explains his creative process and reveals why time and place matter

Louder

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The Guardian - UK

Missing ingredients, brand new colours and the chances of alien life – take the Thursday quiz

Questions on general knowledge and topical trivia, plus a few jokes, every Thursday. How will you fare?

Guitar World

“When I first heard his voice in my headphones, there was that moment of, ‘My God! I’m recording with David Bowie!’” Bassist Tim Lefebvre on the making of David Bowie's Lazarus

The session for Bowie’s Blackstar album took place in early 2015 at the Magic Shop in New York

MusicRadar

“When he got in front of the microphone, he sang his balls off. I’d never seen him happier”: How David Bowie stared down death itself for his final left-turn

Bowie foresaw how the world would react to his end - and artfully deconstructed his own myth with a last great masterwork

Metal Hammer

“She was looking at her pill bottles. I knew she was going to die so I was like, ‘Put it down. Live right now’”: Mastodon’s Bill Kelliher wrote songs for Emperor Of Sand at his mum’s deathbed

A cancer tragedy and other real-life dramas inspired Mastodon’s seventh album Emperor Of Sand, which they believe was 17 years in the making

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MusicRadar

“It was a mind-bender. Your brain tells you this isn’t supposed to work”: From unplayable rhythms to lost astronauts – the genius of David Bowie’s Ashes To Ashes

"It’s childlike and melancholic in that children’s story way,” Bowie said

Louder

“I got a phone call asking me for a quote about Lennon. Apparently I was one of the last musicians seen talking to him before his death”: Rick Wakeman’s wild tales of John Lennon, David Bowie, Keith Moon and Ozzy Osbourne

Playing with Bowie and Sabbath,. boozing with Keith Moon, hanging out with Lennon – Rick Wakeman has done it all

Louder

“I thought Bowie was talented even though he lacked direction. I could hear the star quality in his voice”: Tony Visconti’s tales of David Bowie, Marc Bolan, Phil Lynott and U2

Bowie, Bolan, Thin Lizzy – producer Tony Visconti has worked with them all

Louder

“We didn’t know we were creating a new style… we took sounds from anywhere and everywhere”: Tony Visconti, Roger Dean and the making of Osibisa’s debut album

Released in 1971, the African-tinged record pioneered what would become world music, and took prog into fresh new waters too.

Louder

“We’d been paying Rick Wakeman £25 a week and Yes offered him £100… We had his son Oliver with us for a while, and he left for Yes too!” Dave Cousins and the life and times of Strawbs

Prog veteran recalls connecting with Sandy Denny, his band’s attempt to fire him, being loved by Led Zeppelin, why they’ve never had a Steven Wilson remix, the “albatross” of Part Of The Union and the unreleased, more political version

MusicRadar

“Because the guy’s got a knife, he’s fairly persuasive!”: How Paul McCartney survived a mugging - and a mutiny - to create his solo masterpiece

The full, amazing story of Band On The Run

Louder

“I was always so surprised that jazz musicians were into the idea of doing rock”: the story of Sue (Or In A Season Of Crime), the song that set up David Bowie’s final triumph

Bowie’s jazz experiment was released ten years ago this month. Here, his collaborators remember how it came together

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