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The Latest Breaking News from the New York Dolls

‘The drugs were so new, they weren’t illegal yet’: the debauched rise of New York’s wildest bar

It was a seedy hotbed of sex, drugs, edgy music and A-list celebrities where Lou Reed and Andy Warhol partied alongside Blondie and Bowie. How did Max’s Kansas City fall apart?

The Guardian - UK

“We had our pockets stuffed with $16,000 in $100 bills, and there were 8,000 kids in front of us in Bangkok. We caused a riot at the airport coming home”: the rise and fall of Girl, the cult glam rock band who should have been huge

Swaggering and arrogant, NWOBHM-era glam rockers Girl were the biggest band in the world – at least in their own heads

Louder

"If anyone tries to tell you that Max’s wasn't a drug den, then they are lying to cover their now-respectable asses": the story of the club that provided a safe haven for New York's creatives, freaks and weirdos

Home to the Velvet Underground, Warhol, Bowie and the New York Dolls, Max’s Kansas City was about so much more than just the music that was played there

Louder

From analysis to the latest developments in health,
read the most diverse news in one place.

"If we make this record and it sells, then if nothing else some of our heroes can get some royalties": The stories of the songs that powered Guns N' Roses' strangest and most understood album

Thirty years ago, Guns N’ Roses released The Spaghetti Incident?, an album of covers, and brought a load of mostly obscure, mostly punk-rock tracks to a wider audience

Metal Hammer

Review: Rockumentary master Martin Scorsese does it again, with New York Dolls' David Johansen

Arguably most recognized — the face, if not the name — for his turn as the Ghost of Christmas Past in Bill Murray's holiday perennial "Scrooged," David Johansen is primarily a singer and writer of songs (though not what you'd call a singer-songwriter). As the frontman of the influential if…

Los Angeles Times

Scorsese waltzes with David Johansen in 'Personality Crisis'

Martin Scorsese says he hopes today's powerful streaming companies will do more to sustain moviegoing by building theaters of their own

People

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