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The Latest Breaking News from Supertramp

“It was such a shame to leave A Secret Wish on its own. The band still had such great potential – it was unfinished business”: Claudia Brücken and Susanne Freytag couldn’t dump Propaganda and their prog roots in the past

Their 1985 contained tones of Pink Floyd, Kraftwerk and Supertramp. It took until 2022 for the singers and producer Stephen Lipson, as xPropaganda, to deliver The Heart Is Strange. But it was worth the wait

Supertramp's Crime Of The Century and Crisis? What Crisis? to get 50th anniversary reissues

Supertramp's Crime Of The Century and Crisis? What Crisis? to get 50th anniversary reissues

Supertramp's classic 1974 album Crime Of The Century and 1975 release Crisis? What Crisis? to be reissued on vinyl

“It’s not like anything else I’ve written… I sank into it, and before I knew there was nothing of me there. That’s when magic happens”: How Roger Hodgson created Supertramp’s most ambitious song, and why he won’t say what it means

“It’s not like anything else I’ve written… I sank into it, and before I knew there was nothing of me there. That’s when magic happens”: How Roger Hodgson created Supertramp’s most ambitious song, and why he won’t say what it means

Inspired by the Beatles, a famous piece of classical music and the post-war era, Fool’s Overture isn’t the band’s longest song – but it’s by far their most complex and intense

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“It was wonderful to hear that Paul McCartney loved my song”: How one man’s quest for musical perfection and the meaning of life resulted in a huge hit that Macca called the best song of 1979

"I wouldn’t rest until it was absolutely right”

“Lady In Red will have most of us reaching for the sick bucket. But if you dip into his back catalogue at any point from 1974 to 1984 you’ll find worthy listening:” Chris De Burgh… prog star?

Ignore the syrupy ballads. Connections to Alan Parsons, Supertramp and Sky suggest a valid case – and his 1979 album Crusader proves it beyond doubt

“I have never heard a better ‘rock’ piano”: From The Beatles to Bowie, Queen to Elton John, how the rich, distinctive tone of the Trident Studios house piano graced the grooves of some of the finest songs ever recorded

It’s what Macca played on Hey Jude

“Their albums hadn’t accomplished much. I went to see them and liked them, especially the new songs… I then witnessed their break-up”: How manager Dave Margereson rebuilt Supertramp and helped them deliver a set of classic prog albums

With an approach based on belief and cameraderie, the self-described captain of the band’s pirate ship steered them from failing pop group to hit records including Crime Of The Century and Breakfast In America

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“It’s not a question of spirituality; it’s a question of right or wrong… he’s playing songs he didn’t even like at the time!” Supertramp co-founder Roger Hodgson’s beef with Rick Davies

“It’s not a question of spirituality; it’s a question of right or wrong… he’s playing songs he didn’t even like at the time!” Supertramp co-founder Roger Hodgson’s beef with Rick Davies

The breaking of a deal made when they went separate ways in 1983 made a 21st-century reunion impossible – although Hodgson said he’d offered and been rebutted

"It was a pretty low time. We weren't sure of the kind of band we wanted to be": How time took its toll on Rush as they worked on the follow-up to Signals

"It was a pretty low time. We weren't sure of the kind of band we wanted to be": How time took its toll on Rush as they worked on the follow-up to Signals

For 1984's Grace Under Pressure, Rush brought in Supertramp producer Peter Henderson: It was not a good fit

“There have never been fisticuffs in this band… Just tense silences”: How Supertramp made the classic Breakfast In America

“There have never been fisticuffs in this band… Just tense silences”: How Supertramp made the classic Breakfast In America

They were more likely to go out for dinner than indulge in drugs and groupies - but that didn’t stop their 1979 album becoming the second-biggest selling prog album of all time

“We’d fly into town, we’d place the road crew in the limos and we’d go in hire cars… we were in it for the music, not the personalities”: John Anthony Helliwell recalls Supertramp’s glory days

“We’d fly into town, we’d place the road crew in the limos and we’d go in hire cars… we were in it for the music, not the personalities”: John Anthony Helliwell recalls Supertramp’s glory days

Saxophonist, keyboardist and backing singer became the voice of the band between songs because no one else wanted to do it

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