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The Latest Breaking News from Steven Wilson

Steven Wilson and two former Marillion members walked into a band… What went wrong? The mystery of Pride Of Passion, back to try again after 40 years

The prog group established a reputation for sold-out killer shows in the 80s, but fizzled out without warning. Now the core members have returned with an EP and an album to follow

Louder

Steven Wilson launches new prog rock radio show on SiriusXM

Intrigue: The Progressive Rock Show With Steven Wilson will air monthly on the satellite radio and online streaming service SiriusXM

Louder

“Inventive, unconventional approach sets them apart from lazy assumptions of what prog was doing in the early 70s”: Jethro Tull’s Still Living In The Past

Reissue series revives the 1972 high-class hodgepodge in a generous, never perfunctory style

Louder

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"The whole album shimmers with a sonic gloss that's brought it to the 21st century with no loss of historic integrity..." XTC's third album Drums And Wires gets new Steven Wilson Atmos mix

XTC's third album, Drums And Wires, will be released on heavyweight vinyl and CD/Blu-ray in September

Louder

Steven Wilson to release 10th anniversary coloured vinyl double vinyl edition of Hand. Cannot. Erase.

Steven Wilson's fourth solo album, 2015's Hand. Cannot. Erase. will be reissued with new audio that has been remastered at half-speed at Abbey Road Studios.

Louder

"You want a smack in the face in the beginning." How Ghost Of Perdition went from a concept about Satanism to the defining Opeth anthem

Opeth might've ditched the concept record idea for Ghost Reveries, but Ghost Of Perdition still tells a story

Metal Hammer

“It’s a $20 plugin… I love it because sometimes the problem with digital sounds is they just lack a little bit of character”: Steven Wilson reveals the plugin that's on "almost all" the guitars on his new space rock epic

And it turns out it is the same affordable plugin Finneas used on Billie Eilish’s Barbie track, What Was I Made For?

MusicRadar

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“By the end of it, I struggled a bit. I wasn’t able to be 100% myself playing, because I had to honor the gig, which I did”: Fusion virtuoso Alex Hutchings recalls the pressures of following in Guthrie Govan’s footsteps as Steven Wilson’s guitarist

Hutchings, who joined Wilson on his ‘To The Bone’ tour, was previously described by the prog maestro as “a fantastic guitar player”

Guitar World

We celebrate 30 years of Marillion's Afraid Of Sunlight on the cover of the new issue of Prog, on sale now

The brand new issue of Prog is on sale now, and also featuring Richard Sinclair, Gentle Giant, Peter Baumann, Katatonia

Louder

Deep Purple celebrate 50th anniversary of Made In Japan with another mammoth box set

Can you believe it's been 11 years since the 40th anniversary celebrations?

Louder

“It’s not about fame or money. It’s about fulfilling your dreams, and if someone gets joy from it, you’ve won”: Solstice’s 45-year journey to success with their positive prog

Latest album Clann is a proud family affair with its roots in the 80s, when leader Andy Glass set an ambitious agenda with no regard for commercial gain

Louder

“We started out as a Pink Floyd tribute and evolved from that. Artists who claim to be original are lying through their teeth”: Airbag’s Bjørn Riis used classic prog inspirations to chart a nervous breakdown

His fifth solo album Fimbulvinter was inspired by Porcupine Tree, King Crimson, Black Sabbath and others. He aimed to sound like them without ripping them off

Louder

Opeth’s Mikael Åkerfeldt explains why Steven Wilson stopped producing their albums: “I could hear some ideas in my head that I like to think he would have brought up”

Prog idol Steven Wilson co-produced Opeth’s Blackwater Park, Deliverance and Damnation albums – Mikael Åkerfeldt explains why he didn’t return for Ghost Reveries

Metal Hammer

“I thought you really had to work to make a song great. That’s actually a load of crap – the best songs I’ve written took 10 minutes”: When The Pineapple Thief began to break through with Someone Here Is Missing

Just before their eighth album arrived, Bruce Soord reflected on remixing his back catalogue, learning to keep a distance from fans and the validity of comparisons with Porcupine Tree

Louder

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Louder

Jethro Tull announce six-disc Living In The Past reissue

Jethro Tull's newly expanded Living In The Past features Steven Wilson remixes, edits, demos, Live at Carnegie Hall 1970 and four promo films.

Louder

“Our style of music has an in for a type of personality like Steven Wilson and Robert Fripp – let’s call it the ‘control freak madman’”: How Caligula’s Horse searched for a new direction and new message with Rise Radiant

Guitarist, writer and producer Sam Vallen was as surprised as anyone else when a bid to avoid making another concept album resulted in a record with an underlying – and refreshingly positive – theme

Louder

Nick Mason's Saucerful Of Secrets release new Steven Wilson ATMOS mix of Echoes

Pink Floyd's 23-minute 1972 epic Echoes was introduced into the Saucerful of Secrets live set in 2022

Louder

“The world was my oyster, but when I opened it there was a turd inside… When my wife said, ‘I want half of everything,’ I said, ‘Write me a cheque for 450 grand and you can have half the debt!’” Fish on his three-decade solo career

As the former Marillion frontman released final album Weltschmerz, he reflected on going from the depths of debt and divorce to mountainous creative peaks

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The Guardian - UK

Steven Wilson review – an interstellar sound voyage with Floydian grandeur

On his first solo tour in seven years, Wilson transports a rapt audience through three hours of prog, bubbling electronica and time-bending post-rock bliss

Guitar World

“This was specifically wanting it to have the sort of grandiosity of a Comfortably Numb-type guitar solo but without really referencing that vocabulary”: Randy McStine reveals all behind his cosmically epic solo on Steven Wilson's The Overview

When Wilson asked McStine to redefine the guitar solo for the 21st-century, David Gilmour's greatest solo was the reference. The catch? No pentatonic minor blues. It was to be comfortably new

Guitar World

“It’s a $20 plugin. It makes it sound like it’s coming off a tape that’s been recorded over three or four times”: Steven Wilson reveals his go-to guitar plugin – and why digital can successfully coexist with analog

The highly-coveted plugin prides itself in emulating the full range of cheap tape sounds

MusicRadar

“It’s a $20 plugin…I love it because sometimes the problem with digital sounds is they just lack a little bit of character”: Steven Wilson reveals his favourite plugin is a lo-fi cassette emulator and it is on all the guitars on his latest prog epic

And it turns out it is the same affordable plugin Finneas used on Billie Eilish’s Barbie track, What Was I Made For?

Louder

"I'm very clear on what I want to do, which can be really annoying for other people": Steven Wilson on being a control freak, the wonder of space, Porcupine Tree and more

Steven Wilson's new album The Overview promises to take listeners "on an incredible journey from Earth to the other side of the universe"

Louder

“All the time he was ill, he had it in his head that he was going to finish it when he got home. He never made it home. I guess we owed it to him”: Tim Smith’s Cardiacs story will end with final album LSD

Members of the band who influenced Steven WIlson, Radiohead, Opeth, Andy Partridge and more explain what they did and why it mattered

The Independent UK

Before bitterness engulfed them – this was Pink Floyd at their experimental zenith

PLAYBACK: The 1972 concert film ‘Live at Pompeii’ has been restored and remixed for cinemas and IMAX. Stevie Chick explores how it captured the band at their majestic peak of invention

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